A Silvina, my love.
In the Upper Room of The Recova was the most terrible rift between brothers, the most wrenching internal dissension as a honey pot dump the contents of which slides up and down morosely, affects our society from the political individual national to the village. No doubt about it. The Cenacle astrologer had warned as early as during the internal free radicals, when I look at the extraordinary square of Neptune to go to find that planet, suggesting ferocisimas fraternal strife.
The manifestation of this astrological was exacerbated because the Cenacle of The Recova, the last temple of wisdom of Atlantis and perhaps also of the Templars, overflowed when there was discussion about the sex of angels.
all began in 1200 when the first Gothic cathedrals, which as you know any Belgranense, began with the de Chartres, consecrated in 1260. Fought it all started from the beginning because they assert some actually emerged in the year 1140, with the Abbot Suger of St. Denis, who restored the Abbey of St. Denis arch combining Burgundian origin with the origin rib vault Norman. The vision of the abbot of St. Denis is opposed to St. Bernard Clairvaux, who was against the elements, gold, colored glass, enamel, precious stones, that the Abbot Suger available in the restoration of the Abbey grounds that would distract the monks in the monastic life. But the real focus of the problem was not whether it was pointed arch or round or whether it was the first Abbey or the cathedral, but as it involved the new architectural style: sculptures left and right. And what else can be put into a cathedral? Well, in addition to angels, demons, scenes from the Bible and pagan images simply rampant (sodomy, lust, incest and other niceties) involved define the sex of angels categories. Step
amid the medieval theological storms or whether they were macho hembrita if holding capacity amatory (sexual obviously), if they committed incest, sodomy, adultery and those little human misery guided by hormones. Many details were discussed including the serious theologians pondered it as if for their lives ... Well, I was the vine in fact falling into heresy because it was a sure sign of fire and excommunication. Fra case happened to Bentollino Dalla Corta, who died in 1300 semi-living stoned and burned for claiming that the semen of the angels was not fruitful, as opposed to cure Saint'Honore de Paris (1297) who also died by stating that semen of the angels was fruitful for the glory of God, because if the devil could have sex and reproduce bad thing was that the beautiful angels of the Lord may not be angels squadrons by playing honest and something unchaste ... The Council of trench Namours determining any possible discussion of angels simply did not have sex, that abound in the grace of God that reproduced at the thought of them, who had no sperm or eggs or any of those nasty characteristic of humanity that must gametogenesis and subsequently produce soak each other in the midst of horrible cramps with squeals and gasps ugly smelly to give the world a new being some months later. No Lord, the angels were far from those things ...
All went well until a few years in Renaissance sacred disbanded painters as sculptors and here displayed all naked: Santos, Men and Angels. Only saved from being as God gave the world Jesus (who was half naked per se) The Virgin (unthinkable!) And of course God, which is difficult to conceive how he brought himself to the world ...
But local disorder not start until the occasion of a plenary meeting of the Cenacle in the archway, there was a lecture by Professor Dominique Fernandez (subsequently published in The Return of Baroque angels summits in Bolivia Latin Union Editorial ISBN: 2-909290-13-1)
"The Middle Ages, followed by the Italian Quattrocento, had resolutely taken sides in the famous complaint about sex. "Suppose one sex to the angels? Please! Winged creatures, ethereal air belonging not to the earth, this is how medieval piety and faith of the Renaissance, represented, consistently uplifting. On the cathedrals sexless angels, angel all Rehns smile, tiny angels and Memling meatless north, soft and intangible angels of Fra Angelico in the south: it seemed that the matter was clear and Guido di Pietro, dedicated the painting of angels, to the point of taking this specialty a pseudonym, had closed once and controversy. But then came like a storm in the sky mystically airy, angelic revolution of the baroque, which began - the date sounds made up - just in 1600, with Caravaggio painting (destroyed during the war, no doubt Revenge of the timid couple and those nostalgic for the transparency) Saint Matthew and the Angel. He saw an angel in a sensuality so murky, embracing the old apostle so provocative, that the St. Louis chapter of the French, in Rome, which had commissioned this painting, flatly rejected the first example of censorship art. Caravaggio, breaking with the tradition of sexless angels, had "sobresexuado" theirs. Far from having no sex, it boasted the two sexes. Boy and girl at the same time, shamelessly erotic, opened a new era. The European seventeenth and eighteenth centuries were filled with angels, rather than understand their mission as a military caste of the sky, they used their privilege to live in ambiguity prohibited substance to humans. They began to undress, the angel of the scrolls INRI Bernini (Rome, church Sant'Andrea delle Fratte) showed a bare leg to the groin, San Antonio made to be ordered, and everywhere in Naples Munich, Vienna to Prague, there were legions of androgynous whose sole purpose was, apparently, to exalt the pleasure of an equivocal morphology. A third way seemed impossible. Europe, a teacher of Christian iconography, but not given a choice between soul and body. Here, for the first time, except for error, they come to France to fly with their wings, on the other side of the ocean, angels quite different from everything we knew. The music we do hear is unprecedented. So new, so amazing, so alien to the conventions of the genre, that our histories of art, our encyclopedias, have so far ignored the contribution to Andean Angeles Universal. The name Melchor Perez Holguin, which would be the strongest artistic personality in the highlands, not listed in any directory of those who qualify as our sages. It was time to end this injustice and realizing that, thousands of miles from the old continent for two or three centuries under the baroque crisis in Europe, a culture of absolute originality angelic had deployed after mountains and the silver mines of Potosi. As a result of the merger of English influence and indigenous sensibilities, this art has been defined as a colonial, but more out of habit, I think, that truthfulness, since colonial supposed superiority conquering power. A colonial art is an art tax while those angels of the mountains, far from evoking European models, reveal their local origin. Rather denote the Andean art and hybrid art, culture, encounters and crosses. To whom the credit for having rekindled the discussion about the sex of angels? An incredible feat. On the one hand, they are armed with a musket and, secondly, they were dressed in lace, which shows a surprising audacity. Caravaggio's angel was a girl and boy. The Andean angel is divided between the coquette and the soldier. The only European example of confusion between the grace of Adonis and military strength lies in the figures San Miguel Archangel. That of Guido Reni (c. 1610), in the Capuchin Church in Rome, has armor and sword. Garb rather timid compared to the extravagant clothing of the soldiers of Potosí.
The gun and the big hat with feathers, taken from the stores of Messrs. settlers indicate that they belong to the Church militant and opened fire for the Catholic faith repanda. More surprising, then, to see these squires dressed Musketeers or, why not speak, maids, more androgynous, real transvestites. Buckled shoes, silk stockings, knots of ribbons on the knee, embroidered coat, cuffs orgy and cabochons, the perfect disguise fop. Aristocratic luxury, arrogance, war, religious propaganda, effeminacy, dandyism, there has been no show of contrasts that has claimed so brilliantly the essence of the angels, that "coincidentia oppositorum" triumphant sign of divinity, which, ignoring the difference Gender has nothing to do with the division of roles between men and women. "Silence Grave
ProDuo this dissertation so learned, that of the Angels Arcabuceros. One thing was suppose sexually rampant but quite another androgynous look and load them with gunpowder and musketry. Immediately there was a split in the Upper Room, while the honorable professor took refuge under the table and began to write his new thesis on the influence of Andean angelic art in depressed peneplain Rio Salado.
Why that annealing occurred? Some suppose that the excess of certain alcoholic beverage with an unpronounceable name (strange drink whose name not be mentioned under penalty of invoking the infernal powers and end haggling a Faustian bargain) exalted visions of angels and not so natural and unnatural sex of God's winged creatures, others argue that the mere hint of a heavenly host's own Eurocentric and now Yankee Imperialism is the continuum of the order of things reversed gender visions of lusty shemales armed with "goats" (AK47) and rattles (M16) socialism sweeping the globe. A few believe that the discussion and subsequent fight was because one of the parishioners made a lewd suggestion about the mother of another building that his name is "Angelita" (better known as the Viper Viborg). Anyway, no matter what was the cause but the effect that drew "the anger of Achilles son of Peleus, that precipitated the fatal cholera Hades many brave souls" (Iliad) and the subsequent scattering of chairs, crutches and unspeakable satanic drink glasses .
Nobody knows what time curve was deployed this dimension. Suddenly a loud slap through the air and hit the face of Pepa, who as a grown man could not bear the shame of "The Straw." Pepa takes the soda siphon, with the honorable intention of telling the world your intangilibilidad bodily (especially if they come five fingers.) Straw takes the neck and dragging him into a key turns seminelson half cocked. Pepa tries to shake the sifonazo, but the attitude of Joshua providential Maria leaves him without an offensive weapon to remove the gaseous element. El Mudo, leaving one of his crutches on a table, ecumenism stands to proclaim the fraternity of the world and excited sings the first stanza of Ode to Joy (lyrics by Schiller and Beethoven's music) with such bad luck to get two or three cross buns, falling on his ass in a chair nearby. Bitterly regret after is always the same with neutral observers. Pepa
taking advantage of a tactical oversight of The Straw takes a crutch for the Dumb and shakes it in the back several times to his opponent, who finally uttering a fearful cry in Gaelic (which is subsequently said that they used to face the enemy in battle) gives him a barrage of punches gracefully up and matching shorts, huddled in the corner near the bathroom to poor women Pepa. Again
a fold of space - time that nobody can explain, and the two contenders are still looking in silence while others late, separate. Nothing more was said, only silence and mystery that led to these two men to alienate. The discussion about the sex of angels has been discontinued. In air have been the scenario:
not settle the issue ever, despite the good offices of the honorary member Mario Benedetti, who also told the same conference, previously:
"One of the most deplorable lack of information that have had men and women of all times is related to the sex of angels. The data never confirmed that angels do not make love, may mean that they do not do just as mortals. Another version, not confirmed, but more likely suggests that while the angels do not make love with their bodies simply because they lack of eroticism is celebrated, however, with words, that is, with your ears. So every time that Angel and Angela are at the crossroads of two slides, start seeing yourself, seduce and sit through the exchange of glances, of course, are angels. And if Angel says to open fire "Seed" to stoke Angela says "Groove." He says, "Avalanche" and she tenderly "Abyss." The words are crossed as meteors and caressing dizzying as flakes, Angel says, "Madero" and Angela "Cave." Flutter around a guardian angel and a misogynist and silent angel of death widower and dark. But the amorous pair is not interrupted. Syllables still love. He says "Spring" and her "basin." The syllables are impregnated with dew, and here and there between snow crystals, circulates in the air, their expectations. Angel says "Estoqueo" and Angela radiant, "Wounded", he says, "chime" and she says "Story." And at the precise moment of orgasm intraterrestrial, cirrus and cumulus, stratus and nimbus the thrill, entremolan, flare and love of angels raining heavily on the world. "
But nobody heard the poetic definition of the wandering sailor , which was removed by diving into the shadows of the night while in the archway of the brawl was heard growing up as the tide would take him to his native Montevideo ...
all began in 1200 when the first Gothic cathedrals, which as you know any Belgranense, began with the de Chartres, consecrated in 1260. Fought it all started from the beginning because they assert some actually emerged in the year 1140, with the Abbot Suger of St. Denis, who restored the Abbey of St. Denis arch combining Burgundian origin with the origin rib vault Norman. The vision of the abbot of St. Denis is opposed to St. Bernard Clairvaux, who was against the elements, gold, colored glass, enamel, precious stones, that the Abbot Suger available in the restoration of the Abbey grounds that would distract the monks in the monastic life. But the real focus of the problem was not whether it was pointed arch or round or whether it was the first Abbey or the cathedral, but as it involved the new architectural style: sculptures left and right. And what else can be put into a cathedral? Well, in addition to angels, demons, scenes from the Bible and pagan images simply rampant (sodomy, lust, incest and other niceties) involved define the sex of angels categories. Step
amid the medieval theological storms or whether they were macho hembrita if holding capacity amatory (sexual obviously), if they committed incest, sodomy, adultery and those little human misery guided by hormones. Many details were discussed including the serious theologians pondered it as if for their lives ... Well, I was the vine in fact falling into heresy because it was a sure sign of fire and excommunication. Fra case happened to Bentollino Dalla Corta, who died in 1300 semi-living stoned and burned for claiming that the semen of the angels was not fruitful, as opposed to cure Saint'Honore de Paris (1297) who also died by stating that semen of the angels was fruitful for the glory of God, because if the devil could have sex and reproduce bad thing was that the beautiful angels of the Lord may not be angels squadrons by playing honest and something unchaste ... The Council of trench Namours determining any possible discussion of angels simply did not have sex, that abound in the grace of God that reproduced at the thought of them, who had no sperm or eggs or any of those nasty characteristic of humanity that must gametogenesis and subsequently produce soak each other in the midst of horrible cramps with squeals and gasps ugly smelly to give the world a new being some months later. No Lord, the angels were far from those things ...
All went well until a few years in Renaissance sacred disbanded painters as sculptors and here displayed all naked: Santos, Men and Angels. Only saved from being as God gave the world Jesus (who was half naked per se) The Virgin (unthinkable!) And of course God, which is difficult to conceive how he brought himself to the world ...
But local disorder not start until the occasion of a plenary meeting of the Cenacle in the archway, there was a lecture by Professor Dominique Fernandez (subsequently published in The Return of Baroque angels summits in Bolivia Latin Union Editorial ISBN: 2-909290-13-1)
"The Middle Ages, followed by the Italian Quattrocento, had resolutely taken sides in the famous complaint about sex. "Suppose one sex to the angels? Please! Winged creatures, ethereal air belonging not to the earth, this is how medieval piety and faith of the Renaissance, represented, consistently uplifting. On the cathedrals sexless angels, angel all Rehns smile, tiny angels and Memling meatless north, soft and intangible angels of Fra Angelico in the south: it seemed that the matter was clear and Guido di Pietro, dedicated the painting of angels, to the point of taking this specialty a pseudonym, had closed once and controversy. But then came like a storm in the sky mystically airy, angelic revolution of the baroque, which began - the date sounds made up - just in 1600, with Caravaggio painting (destroyed during the war, no doubt Revenge of the timid couple and those nostalgic for the transparency) Saint Matthew and the Angel. He saw an angel in a sensuality so murky, embracing the old apostle so provocative, that the St. Louis chapter of the French, in Rome, which had commissioned this painting, flatly rejected the first example of censorship art. Caravaggio, breaking with the tradition of sexless angels, had "sobresexuado" theirs. Far from having no sex, it boasted the two sexes. Boy and girl at the same time, shamelessly erotic, opened a new era. The European seventeenth and eighteenth centuries were filled with angels, rather than understand their mission as a military caste of the sky, they used their privilege to live in ambiguity prohibited substance to humans. They began to undress, the angel of the scrolls INRI Bernini (Rome, church Sant'Andrea delle Fratte) showed a bare leg to the groin, San Antonio made to be ordered, and everywhere in Naples Munich, Vienna to Prague, there were legions of androgynous whose sole purpose was, apparently, to exalt the pleasure of an equivocal morphology. A third way seemed impossible. Europe, a teacher of Christian iconography, but not given a choice between soul and body. Here, for the first time, except for error, they come to France to fly with their wings, on the other side of the ocean, angels quite different from everything we knew. The music we do hear is unprecedented. So new, so amazing, so alien to the conventions of the genre, that our histories of art, our encyclopedias, have so far ignored the contribution to Andean Angeles Universal. The name Melchor Perez Holguin, which would be the strongest artistic personality in the highlands, not listed in any directory of those who qualify as our sages. It was time to end this injustice and realizing that, thousands of miles from the old continent for two or three centuries under the baroque crisis in Europe, a culture of absolute originality angelic had deployed after mountains and the silver mines of Potosi. As a result of the merger of English influence and indigenous sensibilities, this art has been defined as a colonial, but more out of habit, I think, that truthfulness, since colonial supposed superiority conquering power. A colonial art is an art tax while those angels of the mountains, far from evoking European models, reveal their local origin. Rather denote the Andean art and hybrid art, culture, encounters and crosses. To whom the credit for having rekindled the discussion about the sex of angels? An incredible feat. On the one hand, they are armed with a musket and, secondly, they were dressed in lace, which shows a surprising audacity. Caravaggio's angel was a girl and boy. The Andean angel is divided between the coquette and the soldier. The only European example of confusion between the grace of Adonis and military strength lies in the figures San Miguel Archangel. That of Guido Reni (c. 1610), in the Capuchin Church in Rome, has armor and sword. Garb rather timid compared to the extravagant clothing of the soldiers of Potosí.
The gun and the big hat with feathers, taken from the stores of Messrs. settlers indicate that they belong to the Church militant and opened fire for the Catholic faith repanda. More surprising, then, to see these squires dressed Musketeers or, why not speak, maids, more androgynous, real transvestites. Buckled shoes, silk stockings, knots of ribbons on the knee, embroidered coat, cuffs orgy and cabochons, the perfect disguise fop. Aristocratic luxury, arrogance, war, religious propaganda, effeminacy, dandyism, there has been no show of contrasts that has claimed so brilliantly the essence of the angels, that "coincidentia oppositorum" triumphant sign of divinity, which, ignoring the difference Gender has nothing to do with the division of roles between men and women. "Silence Grave
ProDuo this dissertation so learned, that of the Angels Arcabuceros. One thing was suppose sexually rampant but quite another androgynous look and load them with gunpowder and musketry. Immediately there was a split in the Upper Room, while the honorable professor took refuge under the table and began to write his new thesis on the influence of Andean angelic art in depressed peneplain Rio Salado.
Why that annealing occurred? Some suppose that the excess of certain alcoholic beverage with an unpronounceable name (strange drink whose name not be mentioned under penalty of invoking the infernal powers and end haggling a Faustian bargain) exalted visions of angels and not so natural and unnatural sex of God's winged creatures, others argue that the mere hint of a heavenly host's own Eurocentric and now Yankee Imperialism is the continuum of the order of things reversed gender visions of lusty shemales armed with "goats" (AK47) and rattles (M16) socialism sweeping the globe. A few believe that the discussion and subsequent fight was because one of the parishioners made a lewd suggestion about the mother of another building that his name is "Angelita" (better known as the Viper Viborg). Anyway, no matter what was the cause but the effect that drew "the anger of Achilles son of Peleus, that precipitated the fatal cholera Hades many brave souls" (Iliad) and the subsequent scattering of chairs, crutches and unspeakable satanic drink glasses .
Nobody knows what time curve was deployed this dimension. Suddenly a loud slap through the air and hit the face of Pepa, who as a grown man could not bear the shame of "The Straw." Pepa takes the soda siphon, with the honorable intention of telling the world your intangilibilidad bodily (especially if they come five fingers.) Straw takes the neck and dragging him into a key turns seminelson half cocked. Pepa tries to shake the sifonazo, but the attitude of Joshua providential Maria leaves him without an offensive weapon to remove the gaseous element. El Mudo, leaving one of his crutches on a table, ecumenism stands to proclaim the fraternity of the world and excited sings the first stanza of Ode to Joy (lyrics by Schiller and Beethoven's music) with such bad luck to get two or three cross buns, falling on his ass in a chair nearby. Bitterly regret after is always the same with neutral observers. Pepa
taking advantage of a tactical oversight of The Straw takes a crutch for the Dumb and shakes it in the back several times to his opponent, who finally uttering a fearful cry in Gaelic (which is subsequently said that they used to face the enemy in battle) gives him a barrage of punches gracefully up and matching shorts, huddled in the corner near the bathroom to poor women Pepa. Again
a fold of space - time that nobody can explain, and the two contenders are still looking in silence while others late, separate. Nothing more was said, only silence and mystery that led to these two men to alienate. The discussion about the sex of angels has been discontinued. In air have been the scenario:
- have sex differentiated and are chaste (unlikely)
- sex and not have any turkey shot to sublimate to half the world
- They have both sexes and are a moral disgrace They have
- single-sex and God forbid, are gay and have finally
- back and are not monsters who practice hermaphroditism as worms ...
not settle the issue ever, despite the good offices of the honorary member Mario Benedetti, who also told the same conference, previously:
"One of the most deplorable lack of information that have had men and women of all times is related to the sex of angels. The data never confirmed that angels do not make love, may mean that they do not do just as mortals. Another version, not confirmed, but more likely suggests that while the angels do not make love with their bodies simply because they lack of eroticism is celebrated, however, with words, that is, with your ears. So every time that Angel and Angela are at the crossroads of two slides, start seeing yourself, seduce and sit through the exchange of glances, of course, are angels. And if Angel says to open fire "Seed" to stoke Angela says "Groove." He says, "Avalanche" and she tenderly "Abyss." The words are crossed as meteors and caressing dizzying as flakes, Angel says, "Madero" and Angela "Cave." Flutter around a guardian angel and a misogynist and silent angel of death widower and dark. But the amorous pair is not interrupted. Syllables still love. He says "Spring" and her "basin." The syllables are impregnated with dew, and here and there between snow crystals, circulates in the air, their expectations. Angel says "Estoqueo" and Angela radiant, "Wounded", he says, "chime" and she says "Story." And at the precise moment of orgasm intraterrestrial, cirrus and cumulus, stratus and nimbus the thrill, entremolan, flare and love of angels raining heavily on the world. "
But nobody heard the poetic definition of the wandering sailor , which was removed by diving into the shadows of the night while in the archway of the brawl was heard growing up as the tide would take him to his native Montevideo ...
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